Okay, let’s say you’re a large corporation that has dumped a lot of advertising money into a campaign that features a some what famous, food celebrity that just had the newest season of their cable show pulled because said dumb ass suggested people eat a bag of shit or kill themselves over their disagreement with his choice of a hashtag phrase on twitter. At what point do you say, “Screw this guy,” ditch the tarnished spots and try to pick a TV foodie that won’t be out of the public eye by fall sweeps?
Apparently not yet, as Walmart continues to show a svelter Adam Richman hawking beef burgers. True, Richman has made some half hearted apologies and has not become less of a burger gourmet despite his complete and utter lack of tact. However, it is ironic to me that a man who gained his fame by gorging himself to the point of gluttony on comfort foods and cheeseburgers would have such a harsh view of overweight people, and additionally, still be considered the right guy to sell similar products to a target consumer that doesn’t look like an Adam Levine-doppelganger post weight loss.
I forget, though, that this is Walmart. Whether its encouraging complete chaos during Black Friday to losing lawsuits over denying their employees pay, Walmart is always oozing scandal and does little to show that it gives a shit about its reputation on any level. So, Adam Richman stays and that underpriced, bleached hamburger meat makes for some indigestion rife with buyer’s remorse.
Posted by jrstuck on July 14, 2014
Weird. I get that Sprint is attempting to drum up business by getting everyone from nuclear family units to casual acquaintances to sign up for their Framily plans, but why do they have to go to the trouble of creating a cast of obnoxious characters just to prove this point? Did somebody really think it would be amusing to have Papa Hamster, lame Hot Topic stereotype and Motley Crue loving, French Girl all be part of a campaign that has yet to move Sprint out of third place?
It’s kind of sad, because while Sprint’s offer of no contracts and the freedom to add whoever to the plan sounds like a pretty good deal, they don’t make it any easier to understand with this off putting campaign.
Posted by jrstuck on May 15, 2014
Of all commercials that I am subjected to on a daily basis, car insurance commercials are the worst by obscene margin. This is in large part because they have the highest ratio of overexposure to I don’t give a damn of any services hocked on television. Yeah, my interest in changing my car insurance is right up there with having my ear hairs plucked, so suffice it to say, I don’t want to constantly be reminded of the same, blah options out there that are interchangeable to the plan I already have.
The worst offender is Geico, because they have too many different ad campaigns full of obnoxious characters (the smooth talking gecko, the moronic pig, the patronizing fairytale reader), stupid derp jokes and the same, tired message that they take great pride in, yet doesn’t promise much of anything. True, 15 minutes could save me 15 percent, or you know what, maybe it wouldn’t and now I feel stupid for having wasted 15 minutes talking to a car insurance agent. Or maybe, it does save me 15%, (which is equal to about 10-20 dollars a month), but now my deductible is twice as high. Yeah, seems like the whole ,”15 minutes,” jargon offers me as much as putting 100 dollars on a race horse with weak ankles could make me a millionaire at the track.
Anyway, the commercial above isn’t for Geico, but the reason I like it is because it calls them out on this BS slogan that has been forced into the American Consumer’s psyche for far too long with out promising anything. Does it make a better case for Esurance? Slightly, because while Esurance offers the same probability of saving you money, apparently they will only waste half the time Geico does. Do I care? Nope, I’m just glad to see some call out the most obnoxious ad campaigns of all time.
Posted by jrstuck on May 5, 2014
Keeping with the theme of Opening Day, today’s Kickstarter project I chose to focus on is, “Federal Baseball,” an app-based game that allows you chose any historical baseball franchise from the 1962 season to current day and take control over that team’s roster in order to create the greatest team through game simulations, drafting, and trades with the apps AI counterparts. For anyone that is heavily into baseball stats and lives to read box scores, this game is right up your alley.
I commend the creator’s lofty goals to create game based off known player outcomes and an AI component that will prove challenge to any player that attempts to load their team with all stars, but the other projects I’ve covered, this one really only appeals to specific customer base that enjoys stats driven by probable outcomes. There doesn’t appear to be any flashy graphics or rapid paced game play, so the casual baseball fan or gamer won’t see the appeal. However, with the popularity of all fantasy sports increasing each year and sabremetrics becoming a household name, their should be enough stat nerds out there to potentially make this game a success.
The campaign has an overall price tag of $75,000 and with 43 days to go, they’ve managed to get together about 2000 dollars. If you have interested in donating or want to learn more about Federal Baseball, go here.
Posted by jrstuck on April 2, 2014
In honor of the first Mariner game of the 2014 MLB season, I thought it fitting that I should briefly discuss the Seattle Mariners’ promotional TV commercials. This year features Felix Hernandez going through a variety of “King,” costume changes, Hisashi Iwakuma showing his versatility, Robinson Cano playing in slow motion, Kyle Seager proving he’s old school and a guy named Chadwick, who first used the letter, “K” to signify a strikeout in a box score. To sum these all up, they’re a bit irreverent, goofy and cartoonish as were the commercials that have preceded them over the last couple of decades.
The problem I have with these spots is that for the most part, they aren’t particularly funny or clever, and they don’t excite me about Mariners baseball. Occasionally, the team has produced a few memorable commercials (From a few years ago, Felix Hernandez disguised as Larry Bernandez was an instant hit), but mostly, these spots are as forgettable as the starting pitchers used for the bulk of last season not named Hernandez or Iwakuma. There is nothing about them that convinces me that the organization is serious about turning around a decade of sub-mediocrity and really pushing to win either a world series, a division title or even just more games than they lose.
It seems like the producers of these spots could have saved some dough and created ads around highlights from archived footage. I would be a lot more excited about players like Fernando Rodney and Corey Hart if I was shown the former striking out the side with a nasty fastball or the latter clubbing a long home run from his stint with the Brewers. Or hell, just replay the final out of Felix’s perfect game a thousand times instead of dressing him up like Elvis. That way I don’t have to feel like I’m cheering for a team that’s more concerned with getting some cheap laughs instead of winning.
Posted by jrstuck on March 31, 2014
I watched Dallas Buyers Club (No spoilers to follow), and while it’s kind of pathetic (almost as much as the length of this sentence!) , I will now spend a ridiculous amount of text over an ad that only lasts on screen for 20 seconds and will be hardly memorable for most people, (unless this studio becomes a major Hollywood player from here on out), but oh well, sometimes stupid and insignificant ads get under my skin to the point that you are all subject to my crazed rants of extreme irritation. Especially when they involve a movie studio that produced a film nominated for Best Picture at the Oscars!
So, if you watch the video above, I have no issue with the quick logo spots for Entertainment One or Focus Features, other than the fact that I have to sit through both of these after a few previews of some films I probably won’t see and plenty of reminders to turn off my cell phone, which I’ve never had off silent/vibrate since I’ve owned the damn thing. Anyway, Entertainment One and Focus Features show their bland, non-too flashy, professional logo spots that remind us of their involvement, but leave no other impression.
However, the spot from Voltage caught my attention, because it seemed like a lot of unnecessary, computer generated garbage just to announce to me that Voltage Pictures was involved. The whole sequence looks like it was rejected from the beta version of Myst and does nothing to impress me about the production company. In fact, it nearly made me question how a company that leave there mark in such a tacky way could be involved in creating such a great film.
And that is what I find most specifically annoying about that or any other movie studio that tries to half ass their way to creating the MGM Lion or Tristar Pegasus of the computer animation age: Great films should not be proceeded by computer animated sequences that John Lasseter would digitally wipe his ass with before allowing them anywhere near a Pixar Film. Especially, when you have a decent logo, (which Voltage does!)! Just do what Focus does: fade into the logo, play some forgettable background music and save the standing out to the acting of Jared Leto and Matthew McConaughey!
Posted by jrstuck on March 24, 2014
I need to lose some weight… Like seriously… I’ve started to get my Gym routine going again and currently, I’m able to power through 30 minutes on the elliptical with varying intervals of tensions between level 8-15 (which means very little to those of you who have no idea what I’m talking about and even less to those of you that do). Point is, I’ve been a bit more worried about my health lately and so when I went looking for a Kickstarter project to write up this week, I stumbled across something that combines two forms of exercise that I am absolutely horrible at: running and biking.
Enter the Halfbike, an efficiently designed vehicle on three wheels with a long handlebar that the rider leans side-to-side in order to steer. There is no seat on this vehicle which puts the rider in a constant upright position, so in some ways it looks similar to a Segway, except its powered by the rider, it actually looks fun to ride, and its not a lame product that costs more than a used car, so actually, it’s nothing like a Segway. Furthermore, its pretty light and compact, making it easy to haul around when hopping on a bus or subway and appears to be one of the most innovative ways to travel the avenues and alleyways of a bustling metropolitan area.
As far as the campaign is concerned, Kolelinia, makers of the Halfbike, are hoping to raise a total of $80,000.00 in order to produce a large quantity of Halfbikes to sell to prospective consumers. In order to support this campaign, you should head over to theHalfBike Kickstarter Page.
Posted by jrstuck on March 19, 2014
Once again, Hollywood has decided to take a classic sci-fi/action movie and update it. While I’m sure the producers are hoping that this new spin on Robocop for success ala the last Batman Trilogy, watching this trailer makes me feel like we will end up with another Total Recall, or Dredd. In other words a lot of flashy action and deep personal struggles with very little of the character from the original film transferred to the upgrade. The tone has become very serious, and except for a few quirky lines from Michael Keaton, it feels like the filmmakers are trying to out Dark Knight the Dark Knight.
Watching this new trailer feels like there’s too much a departure from the original which was a gritty, shoot ’em up satire on just how disaffected society had become. At times it was incredibly hard to watch (ie. the gangland style murder of Alex Murphy) and at other times it was very funny. Robocop was created because criminals have become so violent that the Detroit police have to add officer that can fire back without any feelings or second thoughts, but meanwhile, the entire populace is buying anti-theft devices that electrocute thieves, playing board games that end in nuclear war and wearing sunblock that turns the body green and blue. Furthermore, Alex Murphy never consciously acknowledges that he has become Robocop leading to nearly everyone he comes in contact with to treat him with the same compassion they would a fax machine, though ironically, they’ve created this thing they view as subhuman through their own loss of humanity. I was hopeful they would have kept some aspect of this in the remake, and maybe I’m putting too much weight into a trailer that is largely misrepresentative of the film as whole, but then again, Robocop almost began sobbing at about the 30 second mark, so…..
Posted by jrstuck on March 18, 2014